Looks like Rei wants to fight bullying but doesn’t know where to start. It’s an interesting turn for the series, as up until this point I felt March Comes in Like a Lion delved mostly in relationships existing outside of school. It appears Rei is beginning to understand more of the middle/high school experience that he had managed to avoid throughout his childhood. After the event with Hina, he’s left with a lot of questions, so of course he’d come to Hayashida sensei looking for answers. Continue reading →

Damn, the start of this episode was brutal. The dramatic after credits scene from the previous episode, but now from the perspective of Hina. We’re even given the wide screen bars for that added element of dramatic movie flare. Though we don’t yet know the details, we can already tell something terrible has happened from the color, the camera work, and the sound of the scene. There’s a darkish red hue cast over the neighborhood from a foreboding sunset as we follow Hina, her footsteps gently playing over the ambience of wind and crows. The camera commits to showing us Hina in bits and pieces, never a whole figure—her pigtails swaying back and forth, her legs stopped before the front door, the striking image of her mismatched shoes taken from the first-person perspective of her looking down, and finally, the gut-wrenching close-up of Hina’s face in tears. Continue reading →

Back again, after an even longer hiatus! Sorry about that! Now I have even more catching up to do, so I’ll just cut through the bullshit excuses of why I haven’t been posting, and get right to it! This episode started off pretty bland, fairly casual conversations at the shogi hall with some added cartoon flare to make the scene seem not as boring as it really was. Rei and Nikaidou have a back and forth—well, really more of a one-sided shouting contest where Nikaidou is the only one participating—and basically explain the tournament they’re in: How many contestants, what it’ll take for them to meet in the finals, and so on. During the conversation, the show cuts to cartoony breaks in reality, as if to try and add a bit of empty visual humor to make up for the fact that this is mostly straight exposition. Continue reading →