Myriad Colors Phantom World – The Simpsons of anime?

Screenshot (120).png

Is Myriad Colors Phantom World the new “The Simpsons” of anime? Sorta. If the last few episodes that have aired at the time of me writing this are of any indication, it would seem that Myriad Colors Phantom World has joined the world of sitcoms.

Week after week this show puts our protagonists in new, supernatural situations with wacky complications and a variety of results. Each episode ends in a range of different ways, from peaceful learning experiences to Haruhiko becoming a drag queen that’s taken away by a monkey to live out his days as trophy wife, only to inexplicably return next week as if nothing happened. There’s nothing the show overall is leading toward and every episode can stand on it’s own.

I don’t believe prior knowledge is needed to enjoy this show. The world is pretty loose in terms of laws and logic, and anything can basically be explained in one of two ways: “Because magic” and “A Phantom did it”. As for the characters, all you really need to know about them is that they are friends. That’s it. In the beginning their reason for being together was that they were the Phantom Hunting club, and so when there’s a Phantom on the loose, these teenagers need to handle it…for some reason. This plotting device is dropped somewhere along the way and now the Phantoms basically find them. Someone asks them to be in the school play, then a Phantom shows up. Ruru has a wish and a Phantom appears to grant it. Sometimes Phantoms don’t even show up until the very end, and just exist to create an action-y climax.

Screenshot (202).png

This show is weird and clumsy and funny and serious and etc. Myriad Colors Phantom World started like it was building to something. It introduced characters one at a time and gradually gave us bits of character development that it never really used later on. This show tried to develop a world, and then kinda gave up. Phantom World changed, and some might argue for the better.

I personally like the show better this way, because now that the group is established, albeit poorly in some regards, we can just throw shit at the characters. Put them in hilarious predicaments and place them in any plot you want. Sometimes the episodes are a complete gag that serve only to humor us. Other times they can be a heartwarming look at the life of a single mother. And anything in between.

But what do you think? Have you been watching Myriad Colors Phantom World? Do you like what the show’s become or not? Talk to me in the comments and come back next weekend for another feature. Thanks for reading!

Myriad Colors Phantom World, Episode 11

Screenshot (200).png

It happened. IT FINALLY HAPPENED! No more terrible intros where The Human Encyclopedia tries to teach us fairly commonly known concepts that loosely relate to the episode at hand while Ruru grasps for any joke she can because Haruhiko is just too boring without it. Instead, we get this ^ sick shot and awesome line that leaves me excited and wanting more. “Phantom-Hunting Mom”? What could be cooler? Nothing.

But before we get to the good stuff, let’s take a moment to highlight the bad. Koito Minase. I still feel like this character hasn’t been properly established, at least not well enough to be part of the gang. Like zoinks, did I miss something? Cause they’re all apparently good friends now, and I’m not entirely sure why. I know they had their run-ins and worked together multiple times to take down the Phantom of the Week, but what actually made her decide to stop being a loner? (Comment below if you know why)

So the whole story really begins when Haruhiko heads home and finds a little piece of his past: A letter that he wrote for his class as an elementary school student. This triggers a flashback of him reading it to the class with melancholy music to accompany. There is, however, no dialogue in this scene and so what really happens here is left ambiguous…for now.

Screenshot (203).png

Haruhiko then wakes up the next morning as a child. Young, confused, and running late, he gets dressed and heads for school. What’s interesting here is that he has the mindset of his young self and does not remember anything from his older years. Now here’s the clumsy part of the setup. Kurumi finds Haruhiko sitting outside, baffled by the fact that he didn’t recognize anyone in his class and that they didn’t seem to know him either. The worst part of this is that it takes way longer than it should have for Kurumi to put two and two together. This boy looks like Haruhiko. This boy talks like Haruhiko. This boy then introduces himself as “Ichijou, Haruhiko”. Come on, Kurumi! You’re not this dumb, and this shouldn’t be something so difficult to grasp considering the reality they live in. It would’ve been simpler to just notice what was up right off the bat and bring him to the clubroom. But I digress.

While the group considers how to approach this new development, The Little Human Encyclopedia shows just how annoying he can be. But this time it’s different, because he’s not being annoying to the audience like he usually is. Now he’s being annoying to the others, in the way that children often are. Then Ruru does the funniest thing I’ve ever seen throughout the entire series.

After that, Mai is decided to be his caretaker, for some reason, and she has to suddenly learn how to be a single mother. And it’s adorable. She takes him shopping and he does the cliché child thing where he fills up the shopping cart with whatever he wants. Time passes and now Mai has a part-time job to support Haruhiko and is under an incredible amount of stress due to just making ends meet. They have their sweet bonding moments, like Mai comforting him during a thunderstorm, or playing at the park the next day.

Then a cat pisses on a Phantom sandbox and ruins everything. Mai is suddenly in trouble and Haruhiko conveniently reverts back because the situation calls for it. He saves the day and everything returns to normal. They go back to his place and Mai reads Haruhiko’s letter from the beginning of the episode, revealing what was actually written and bringing the whole episode full circle, wrapped up with a neat little bow.

A truly fantastic episode, arguably the best in the series so far, Myriad Colors Phantom Worlds delivered something I didn’t think it was capable of, and I loved it. I wish the whole series was just watching Mai stepping into the role of a single mother, as it’s been more compelling than anything else shown so far.

+ Hilarious, off the wall moments

+ Heartwarming, down to earth moments

+ Mai is best mom

+ No lame intro!

– Little clumsy in setup

Kizumonogatari Divided – Why three parts?

01916cb4b788ac53daa55fe142f74f9b85b77d7c59 (2).jpg

Last weekend I had the pleasure of seeing one of the finest pieces of animated film to ever touch this planet. A sheer masterpiece in it’s own right, surely no one would disagree. And even if you would, that’s not what we’re discussing here today. For today’s post, I’m going to start off with what already feels like a common, inevitable complaint. Kizumonogatari should not have been cut up into three separate movies.

Some might argue the movie would’ve been better off as one whole. Even two parts could’ve sufficed. But three? Hour long movies? Too much. That’s not to say part one has too little because of this. An excellent beginning in all regards, is part one of Kizumonogatari. But it leaves off in such a weird place, in such a quick cut way, that it feels like the movie was almost certainly divided after the fact. We’ll have to see by the start of part two whether that’s true or not, but even now it’s painfully clear there was no need to slash this movie into thirds. Back to my point about even being cut in half, without spoiling the story I will say that there is a pretty good cut off point in the middle of the novel. But the way they did it here, the place they did it here…it just doesn’t feel right.

01a3dc3e0bf72e5ef53b2b31af6dd1df630b39df6c (2)

What adds to the feeling of having our entertainment force fed to us piecemeal is the fact that every part is planned to be released in 2016. Now, I won’t pretend to know more about the anime industry and how studios work outside of what I’ve learned from Shirobako, but it seems like this movie is finished, or damn well near. Part one does not look or feel like something that’s been made in a matter of months. This film already feels like years in the making, and I just don’t know how they could come out with two more parts with the same caliber or greater in the next twelve months. But of course, this is just conjecture.

Now onto the “why?”. Why turn this story into three parts? It doesn’t seem like the studio needs the time, and even if they did the full movie would be ready in the matter of a year according to schedule, so why not hold it? The simple answer is money. You can make more money making people pay three times than just once…or so it may seem. But I’d like to propose something else. If Aniplex thinks this movie is worth that much, why not just triple the price? I paid around $13 for my ticket (tax included), but I would’ve much rather pay $39 to see the whole thing at once. Kizumonogatari is worth it to me, and it’s probably worth it to a lot of other fans. The only thing you’re wasting is my time (and the cost of trip as I don’t live too close to one of the select theatres). It’s disappointing, and I hope we don’t come to see this more often in the future.

Bloody Brilliant – Kizumonogatari, Part 1

ogp.png

“SHAFT is perfect and creates nothing but masterpieces. Anyone who disagrees is wrong.”

Noir

I could watch this movie without any dialogue whatsoever and still be kept thoroughly engaged from beginning to end. That’s my untested hypothesis, of course. Needless to say, Kizumonogatari is visually stunning. Gorgeous. Magnificent. Ravishing. Sensational. Out of this world. I just want to keep listing off words to describe how fucking beautiful this movie looked. As is the SHAFT guarantee, there’s never a dull moment. Whether it be the playfully unique changing of camera angles to the cuts of text, or how it manages to take us from location to location to location in a matter of seconds, the monogatari series has always been something that encourages keeping your eyes glued, otherwise you just might miss it.

1280x720-qSU

The character art is fantastic, and even more mesmerizing in motion. What’s even more fun is how the camera moves with the character it’s following. It’s an interesting view to, walking behind Araragi. Or in front. Or to the sides. Or to any angle imaginable, which is basically what Kizumonogatari is trying to accomplish. Look good, in every possible way. And from scenery to character art to motion, it succeeds.

As for the character’s interactions, they’re absolutely wonderful…but succinct. It seems like there’s much less dialogue in this movie than in any of the other monogataris. For the first five to ten minutes (roughly) not even a single word is spoken. Now, I’m not one of those asshol- erhm, “special people” who like to criticize a movie through comparison with the novel it was based on. They’re different mediums, and it’s an adaption, so there’s no need to get our knickers in a twist. However, the book does hold quite a lot over the movie in terms of dialogue and Araragi’s inner thoughts, and it might’ve been nice for SHAFT pull more from it. Still, the movie still manages to be witty and profound without it.

dr6za3juywdaoxtynemh

Without getting too far into the issue of runtime, I will say that Kizumonogatari ends in a…strange place. A weird way to end a movie, that doesn’t really offer up much of a conclusion nor cliffhanger. Even the final line wasn’t much to go off of. It’s…a little disappointing, considering the film as a whole was bloody brilliant. But I think I’ll write about the story being cut up into three parts another time, so for now I’ll just leave you with these words: Bloody brilliant. Excessively excellent. Splendid masterpiece. Impeccable piece of art. Epitome of film. Fucking amazing.

Thanks for reading!

Myriad Colors Phantom World, Episode 10

Screenshot (197).png

A Ruru episode.

…Okay. Look, I’m not saying Ruru’s a terrible character…

…but she kinda sucks, and I’m really disappointed that they dedicated an episode to her. But I’m not surprised, as every other character seemed to have their own up until this point. So I guess it’s only fair for Ruru to have her time to shine.

Starting with the plot, well, it was even dumber than I expected. Ruru is small, but she wants to drink a full bottle of Ramune. To fully ingest this Ramune, she needs to become the size of a human. Luckily, a benevolent witch phantom just happens to be passing by, and grants her wish so she can drink Ramune at the festival. Then shit happens where she can’t reveal who she is to her friends because of an arbitrary set of rules, and then breaks those at the end of the episode because apparently she’s the only one that can save Haruhiko from the firework phantom. And they’re all sad because they actually think for a moment that Ruru is dead from the explosion, and crying because she never got to drink that Ramune soda. But it’s okay because she’s alive, the end.

Screenshot (198).png

Thought I said “Ramune” too many times in that last paragraph? Well that’s not even half the amount of times they mentioned Ramune in the show. Product placement or does the writer just really like Ramune? I don’t know, but tune in next time for when Izumi becomes addicted to the Pocky phantom!

Back to the witch that I briefly mentioned earlier, I thought she was a cool addition and would like to see her in more episodes. This is of course, based almost solely off of looks, but what can I say, I like characters with cool designs. And it would be nice to see her character be developed a little more.

One thing I’ve noticed throughout the show is that Izumi’s powers have been tragically underused. Apparently, she can’t eat everything for random reasons like “it’ll make her tummy feel bad” and “they need to be weakened first”. I’m paraphrasing by the way. Her powers are completely situational and most the time useless. Remember that time she revealed she had healing powers, then never used them again? I do, because I keep blogging about this stupid show no matter how little substance it actually gives me.

Screenshot (199).png

I feel when the show focuses on comedy, and especially on Ruru, I don’t laugh. The show was funnier when it was organic, or at least felt that way. But now I only find myself laughing because of how incredibly stupid this show is. It’s still very pretty though, so there’s that.

+ Visually pretty

– Ruru episode

– Rampant product placement?

– Reina tragically underused

Problems With Erased, Episode 9

Screenshot (192)

I’ll first start this off with a simple *SPOILER ALERT*. I don’t know why you’re even here if you didn’t want to be spoiled before watching, but I figured I should give the common courtesy of a warning. Now, as to why I’m reviewing this episode, I just found the latest episode worthy of a review. That’s all. It’s not like I’m running out of ideas for weekly posts or anything. Heheh…

In all seriousness, I found episode 9 of Erased to be quite lackluster, and possibly the lowest point in the entire series. It came as quite a disappointment too, as I was having such an enjoyable time with the show prior to this point. But that’s not to say that this episode ruined it. The episode just didn’t shine as brightly in almost any aspect.

Starting with the beginning, we pick up where we left off from last episode, in front of Hinazuki’s house. Kayo, Satoru and his mother confront the abusive parent at her doorstep. The thing is, she’s fucking crazy. Kayo’s mom shoves Kayo to the ground and swings a shovel at Satoru’s mom. She dodges it, then the action stops as the teacher and the child protection agency (or whatever they’re called). But then they don’t do anything and Kayo’s mom threatens to go to the police. Finally Kayo’s grandmother inexplicably shows up and defuses the situation.

Screenshot (190)

This. Was. Awful. There’s a number of reasons why this scene is terrible, like how their plan to confront the mother could’ve completely back fired. She could’ve put a shovel through Kayo’s head and that would’ve been the end of it. I don’t understand why these characters thought this approach would be safe? Kayo got shoved and Sachiko was nearly decapitated, not to mention the only back up they had was a protection agency that ultimately did nothing.

Then they brought in this grandma in some sort of an empty to make Kayo’s mom seem more human, more understandable. Flashbacks show of her getting beaten by her old husband or boyfriend or whoever, and that’s what caused her to beat her child. Makes sense. Wait, no it doesn’t. I still don’t empathize with this horrible character at all. What’s worse is that Kayo’s being separated from her anyway, so what was the point of the flashbacks? The show had already established her as this villain without a reason, and she served her purpose well. But then they gave her a reason after the fact, and it just wasn’t good enough to be worth anything.

The worst thing that comes from this is that Kayo is being taken away. From her mother, from Satoru and friends, from the town, from the story and from us. Kayo’s gone now, and that’s a bit of a letdown considering the amount of time the show focused on her, making us get to know and eventually care for her. Of course I wanted a happy end for Kayo, but was this really it? Would she really be happy away from Satoru? I’m just disappointed because the show spent so much time developing this character, and the bonds between the characters. I like Kayo, and her being taken from the plot is basically the same her being dead. This might’ve been fine had this been the actual end, but there’s still a mystery to be solved. Wouldn’t Kayo be better kept still in the story? She’s the most well established character by far, and also the most beloved. But perhaps this isn’t the last we see of Kayo, as there are still 3 episodes left.

Screenshot (191)

In fact, it feels almost impossible for this to be the last of Kayo. She was the first of three murder victims, and it took three quarters of the show just to save her. With that much time dedicated to one character, it seems almost counter intuitive not to use her. Or maybe I just don’t want Kayo to leave. ;-;

After that beginning, the show doesn’t really go anywhere. There’s a nice moment shared with Satoru and his teacher in the car, but not much else really happens. And then the episode ends with a pathetically weak cliffhanger. Like, it’s just that one girl from class looking like she’s about to pull something. Is she the killer? Unlikely, but who really knows? You’ll have to tune back in next week to find out!

Oh, and I will say that up until this point, I was really having a blast. Erased did so many things right, and looked so very good through and through, but this episode has left me a little skeptical. There were even noticeable dips in the animation this time, mainly a conversation in the bus with no cuts for what felt like a whole minute (I’m exaggerating, but it was long, and two characters had their back turned so they only had to animate one mouth). I was really loving the show up until this point, but now I’m feeling uneasy. I’ve watched through at least one poorly ending mystery show for each of the last two seasons, please don’t make it three.

If you want to know what those shitty mystery shows I watched were, please leave me a comment. Also, tell me what you think about Erased so far. Feel free to follow me here or on Twitter @crispyn64, and thanks for reading!

Myriad Colors Phantom World, Episode 9

Screenshot (181).png

Man, this show is really reaching for straws when it comes to giving this group something to do week after week. Anything and everything that goes even remotely wrong at this school or in this town is automatically relegated to this team of high schoolers. But in this episode, there’s nothing going on to begin with. A random character is introduced and she asks the group to be part of her play. Apparently no one else in the entire school can or wants to do this. Okay. So now our protagonists are now staring in a period piece put on by the drama club, and it’s all fun and games until a phantom inevitably shows up.

Turns out that the Phantom is the girl who asked them to do this in the first place. What a twist! Then comes the all too cliché breaking in the middle of the play. Quite frankly, this is one of my least favorite tropes to ever exist. The actors break character but still say everything out loud for the audience to hear, and then they’re all like “wow, this is meta” or some crap.

Screenshot (183)

It was at that point that I checked the time left in the show, thinking it was all but over, because that moment is usually used as a climax. But the show goes on and they finish the play, in the coolest most immersive way possible. The Phantom changes the stage and the cast is transported to Edo period Japan, where they are to complete the story. This makes for some sweet action and stunning visuals, otherwise known as “The KyoAni Special”. I’m coining that, right now.

Two very important things I noticed, or rather didn’t notice, was the chanting and exposition. Minase’s chanting is really annoying. The Human Encyclopedia needs to shut up. These are facts. And as far as I can tell, they were non-existent in this episode.

Now onto a new issue: Haruhiko needs to stop clumsily falling into Izumi. It was funny the first time, only because they did it in a comical and self-aware way. Now it is just getting routine and uninspired. Basically what I’m saying is: Step off my waifu.

Screenshot (184)

In the end, this felt like a fun, contained adventure with stunning visuals but not much else. I like these characters (with the exclusion of Haruhiko), but I feel this show has strayed too far from them since each of their respective episodes. There’s almost no way this show can be anything more than an action comedy show at this point, but that’s not necessarily a bad thing. But we’ll see where this show decides to go, as it seems to do whatever the hell it wants to.

+ No Minase chanting

+ No Haruhiko exposition dumps

+ Pretty show, pretty colors

+ Kurumi holds a gun!

– Kurumi holds a gun?

– Awkward stage break

Konosuba -Where will it go from here?

Screenshot (107).png

Now, for those of you that haven’t been keeping up with anime simulcasts in winter 2016, or perhaps just this show in particular, Konosuba: God’s Blessing on this Wonderful World! is yet another show that lends itself to the ever popular trapped-in-a-game sub-genre…or at least, something close to that. You see, our main protagonist Kazuma Satou isn’t actually trapped in a video game. He died, and this typical mmo rpg-esque world is his afterlife.

Because of this, his goal never is to escape this place, but to learn to live and thrive in it. Furthermore, the show offers up a grander objective of defeating the Demon King, but the path to that is much longer than Kazuma expected. Just moving up from remedial labor to monster slayer takes several episodes, and then when he finally drops the tracksuit for a more adventurous look, Kazuma still finds trouble trying to move up in the world. This is mostly due to the never ending debt that his comrades keep accruing from their consistent and unintended destruction of everything around them.

So far, this has made the episodes end in roughly the same place they started. This lack of progression makes me wonder if the show plans to go anywhere. Konosuba seems to be more comedy-centric, rather than be focused on characters or plot. That isn’t to say they’re completely forgotten, however. There have been episodes that make callbacks to previous moments in the show, meaning there is continuity and an overall storyline here. Even though Konosuba relies on humor and has fun downplaying the serious moments in the show, those moments do happen, and a bond seems to be forming (or has already been formed) in this party of misfits.

Screenshot (170)

And this all just begs the question: Where will Konosuba go from here? Is this just the start of a grander adventure or the platform for a quest-of-the-week kind of show? Maybe it’s a combination of both, or perhaps it’s just a wacky and somewhat satirical take on the genre it lends itself to. Or it might just become something else entirely, as the show already seems to do whatever the hell it wants. Personally, I hope this show goes on for maybe another one or two seasons and that’s it, but that’s just me preferring my shows to have an end in sight.

But what do you think about this show so far? Any ideas on where it could lead us? And do you like Megumin as much as I do? I doubt it, but feel free to leave your comments below, and check back next week for another feature post. Thanks for reading!

Myriad Colors Phantom World, Episode 8

Screenshot (163).png

This was a weird episode. Yes, even for its own standards. I won’t knock it for being fanservice-y, but I will laugh at it. A lot. But first, let’s start from the beginning.

One minute and forty-five seconds. That’s how long this week’s intro took. I’m getting really tired of these classroom lectures at the beginning of every show. And I learn almost nothing from them. But I’ve rambled on about these intros before, so all I’ll say is that they suck and I’d be happier if they just cut down the runtime of the show altogether rather than include these wastes of time.

So they introduced the Phantom through a supernatural occurrence at school. Again. But this time’s a little better because they get right into the problem. There’s a monkey hot springs that’s overheating the entire school, and nothing can be done for some reason until the Phantom is gone. I actually like this setup because it leads the entire student body to try and fight it, one at a time with hilarious results.

Screenshot (164)

Then our protagonists step up to the challenge, and in the best way that I never thought possible. The plan is to seduce the monkey and make it come out of the water so the Human Encyclopedia can fully see it and capture the image onto his sealing book thing. Of course, due to a number of mishaps, that doesn’t work out, and so he summons a Phantom to save the day. And although he probably could’ve just did that in the first place, I’ll ignore it because I got to see Mai’s ass get painted.

All in all, it was a fun episode, but it severely lacked in any sense of importance or meaning. And perhaps that’s just exactly where Myriad Colors Phantom World wants to go. I’ll be baffled if this show decides to end a note that’s anything but silly and hopeful.

Oh, and I was completely satisfied with this end, in hopes that the Human Encyclopedia actually does marry Mr. Monkey and never returns. All I’m saying is, it better be canon.

+ Not the hot springs episode I was expecting

+ Reina swimsuit!

+ The ultimate canvas, Mai’s ass

– Intro

The Joy of Anime Endings

Screenshot (151)

Just like my love for anime openings, anime endings hold a special place in my heart. Usually end credits are just disregarded by most viewers of any visual medium, not out of disrespect for the creators, but simply because there’s nothing left there. Black screen. White text. Scrolling down. Blatantly put, a director could leave a confession to murdering his spouse in the middle of it and never face conviction, because no one would ever read it. And so, to bring an end to boring credits, anime came and saved the day. Okay, I’m not a historian, so don’t be surprised if that’s completely wrong. The point is, anime endings are cool, and are not as boring as the alternative.

It’s a shame that some people can’t find as much enjoyment out of anime EDs as I can, but I guess that’s their prerogative, and I can respect that. What’s really a problem is when creators don’t understand the importance of having a memorable and creative ending to supplement their show. While sometimes not as useful, for marketing and publicity, as openings are, endings can have more of a connection with the show, as well as an emotional resonance for the viewer. Or they can just be cute with a catchy tune. Either way, they’re important to me for a number of reasons, so here to explain those reasons are some handpicked examples of some of my favorite, and not so favorite anime EDs:

Screenshot (137)

The Pet Girl of Sakurasou

This show is, by all means, a true masterpiece, and although it may not be my favorite anime of all time (because Bakemonogatari exists), it is the most important. Nothing could possibly sum up my feelings and utmost love for this show. That being said, EDs come close. DAYS of DASH, performed by Suzuki Konomi and written by Hata Aki, is my favorite song to ever exist, and some (if not most) of that is due to the fact the it reminds me of the show. Every time I listen to it I can’t help but remember this wonderful show and these remarkable characters and the unforgettable time I had watching it. Endings stick with us, and can carry some of the emotions you felt from the first time you watched it.

Bakemonogatari

Also a really memorable ED for me, but instead of getting into the sappy “this anime means so much to me” crap, let’s talk about what makes it a good Ending, as opposed to an Opening. Specifically in terms of song choice, it’s good to have a song that’ll match the tone of the end of any episode. You’ll see that a lot of anime EDs are somewhat solemn and less cheery on the happy-sadness scale. That (and this is just speculation of course) is because when shows have cliff hangers, that’s usually when shit goes wrong. It would be very odd for the second Opening of Non Non Biyori to play right after the protagonist just watched his mother cut his father’s face off and wear it as her own. See, it just doesn’t match. Thankfully, Bakemonogatari’s ED, as well as Sakurasou’s, transition well in most every situation, especially in their final moments.

Screenshot (83)

Charlotte

Not one of my favorite shows, and certainly not one of my favorite EDs. I like the song and it had nice pictures, but that all it was. Pictures. Still frames. As pretty as they were, I don’t want to watch a slideshow. It’s an anime, so animate something. There are plenty of simple techniques to give a little life to an Ending. Just add some moving parts, a few more frames and some actual effort, the only way you can screw this up is by not doing it.

Comet Lucifer

Just look at Comet Lucifer. Not a good show by any means, but it had very nice Ending. It managed to look like a lot more with very little, and if you observe closely you can tell. Just YouTube it, the show isn’t actually worth watching.

Durarara!!

Durarara!! has found a different way to get away with not animating their EDs. Instead of having a simple slide show with pretty pictures and a nice background tune, Durarara!! fills the screen with one large frame, featuring the entire cast of characters, intertwined and interacting with each other. By doing this, it forces viewers like me look back and forth, eyes wandering to analyze every character, effectively capturing our attention as it scrolls down to the very end.

Screenshot (146)

Working!!!

What’s with all these shows having multiple exclamation points? Hmm, perhaps that’s a post for a different time. And a different blog. Anyway, Working!!! (season 3) has what I think is a really cool moment in it’s ED. As seen from my screenshot above, the characters are all dancing in this strange, unexplained place. It’s serene, majestic, and relates to the actual show in almost no way shape or form. And that’s one thing I love about EDs. You can just drop characters in entirely new, unrealistic spaces that would make no sense had it been in the real show. Well, I guess they could write in a way for all the employees of Waganria to become celestial beings and dance among the stars, but that seems incredibly unlikely.

So what do you think about anime Endings? Do you like them more that Openings, or is it perhaps just a case by case basis? Tell me that, and also list some of your favorite EDs in the comments. Oh, and if you’re the type of person to skip past the Ending to get to the next episode, go find your nearest bridge and jump off it. I kid of course, please don’t do that. Instead, check back next week for more posts about anime and stuff. Thank you reading, I’ll see you next time.